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By the Time I Get to Phoenix is the 7th album by American singer/guitarist Glen Campbell, released in 1967 Glen Travis Campbell (born April 22, 1936) is a Grammy Award, Dove Award winning, and two time nominated Golden Globe Award American country pop singer, guitarist and occasional actor. He is best known for a series of hits in the 1960s and 1970s, as well as for hosting a television variety show called The Glen Campbell Goodtime Hour on CBS television. Campbell's hits include John Hartford's "Gentle On My Mind", Jimmy Webb's "By the Time I Get to Phoenix" and "Wichita Lineman", Allen Toussaint's "Southern Nights" and Larry Weiss's "Rhinestone Cowboy". Campbell made history by winning a Grammy in both country and pop categories in 1967: "Gentle On My Mind" snatched the country honors, and "By The Time I Get To Phoenix" won in pop. He owns trophies for Male Vocalist of the Year from both the CMA and the ACM, and took the CMA's top honor as Entertainer of the Year. During his 50 years in show business, Campbell has released more than 70 albums. He has sold 45 million records and racked up 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. Of his 75 trips up the charts, 27 landed in the Top 10. Campbell was hand-picked by actor John Wayne to play alongside him in the 1969 film True Grit, which gave Campbell a Golden Globe nomination for Most Promising Newcomer, and gave Wayne his only Academy Award. Campbell sang and had a hit with the title song (by the same name) which was nominated for an Academy Award. He performed it live at that year's Academy Awards Show. In 2005, Campbell was inducted into the Country Music Hall of Fame. Track listing Side 1: 1. "By the Time I Get to Phoenix" (Jimmy Webb) - 2:42 2. "Homeward Bound" (Paul Simon) - 2:37 3. "Tomorrow Never Comes" (Ernest Tubb/Johnny Bond) -2:27 4. "Cold December (In Your Heart)" - 2:27 5. "My Baby's Gone" (Hazel Houser) - 2:50 6. "Back In The Race" (Glen Campbell/Vic Dana) - 1:56 Side 2: 1. "Hey Little One" (Dorsey Burnette/Barry DeVorzon) - 2:30 2. "Bad Seed" (Bill Anderson) - 2:18 3. "I'll Be Lucky Someday" (Lee Martin/Dick McBride/Bob Wills) - 2:24 4. "You're Young And You'll Forget" (Jerry Reed) - 2:15 5. "Love Is A Lonesome River" (Glen Campbell/Kella Christian) - 2:05

Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He is the father of Bobby Bare, Jr., also a musician. Career at Columbia Records (1978–1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Wherever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980s. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".

Holland is the sole 1973 studio release by The Beach Boys, their sixteenth studio album. It was famously (and expensively) recorded in Baambrugge, The Netherlands over the summer of 1972 using a reconstructed studio sent from home, and with two Brian Wilson tracks rush-recorded in Los Angeles and added to the album at the last minute. Just as Carl and the Passions - "So Tough" was coming to print, The Beach Boys, at manager Jack Rieley's urging, decided to pack up and record their next album in the Netherlands, feeling the change of scenery would add some inspiration to the sessions, and, over-optimistically, they also hoped that it would snap former leader Brian Wilson out of his deep depression. By mid-1972, Wilson was well into mental illness. Keenly aware that he was creating less music than ever before, The Beach Boys were hoping to jump-start Brian's creative juices. Although he did make the trip (after three separate attempts to get on the plane), Wilson contributed little to the album, concentrating his musical efforts on "Mount Vernon and Fairway", a ten minute long "musical fairy tale" which was later included with the album as a bonus EP. As a consequence, with Carl Wilson taking charge, the rest of the band had to carry the album, and as it turned out, Holland ended up as one of The Beach Boys' most respected 1970's releases.[citation needed] Due to homesickness, Al Jardine and Mike Love conspired to create a three-part ode to California, resulting in a song cycle that ranks among both Jardine's and Love's best works.[citation needed] Mike donated the country-laced "Big Sur" (written three years earlier and here presented in 3/4 waltz time), while Mike and Al delivered the partially spoken-word of Robinson Jeffers' poem "Beaks of Eagles" and the shuffle-arranged "California", which features Brian on its first two lines. A remix of "California" was issued as the second single from the album and retitled "California Saga (On My Way To Sunny Californ-i-a)". Dennis, who was not given a lead vocal on Holland, offered up "Steamboat" and "Only with You". Carl included "The Trader": an anti-imperialist two-part epic that starts with a gleeful "Hi!" from his 3-year-old son, Jonah. Upon the band's return from The Netherlands in the fall, Holland was rejected by Reprise Records for not having a potential hit single. It was decided to add an old unfinished Brian Wilson song, "Sail On, Sailor", which he had co-written with Van Dyke Parks. After some re-working, Brian delivered what would become Holland's most famous track. "Sail On, Sailor" was one of two songs recorded at home (the other was Ricky Fataar's and Chaplin's soulful and moog-tinged "Leaving This Town") and added at the last minute to a re-sequenced and re-submitted Holland. One of the casualties of this tracklist reshuffling proved to be another Fataar/Chaplin tune, written with Mike Love, called "We Got Love", which would resurface later in 1973 in a live context. Early test pressings of Holland, made in the USA and in the UK feature the album in its original group-intended running order. Side one kicks off with "Steamboat", then the three-part Saga, followed by "We Got Love". The German distributor for Reprise records failed to implement the changed side-one line up correctly and mistakenly pressed 300-400 copies with the earlier running order. Early French and Canadian pressings of Holland still mention "We Got Love" on the sleeve, although the song is not on those albums. Holland's bonus EP, entitled Mount Vernon and Fairway (A Fairy Tale), was based on the intersection where the Love family lived in Los Angeles, and was primarily composed by Brian Wilson. Wilson originally intended it to be the centerpiece of a new Beach Boys album, consisting of the tracks from the EP and "Funky Pretty". It was initially rejected by the other band members, which effectively caused Brian to quit the sessions until Carl decided to include it as a separate EP. However, by that point, Wilson had lost interest in both the project and the Beach Boys; reportedly for denying his artistic output towards the group. Wilson would not record with the Beach Boys again as a group until 1974 for the aborted Caribou sessions. While narrated by Jack Rieley (as it was mostly unfinished when Wilson effectively walked away from the project), the voice of the Pied Piper was supplied by Brian. Released in January 1973, Holland received mostly encouraging reviews and helped The Beach Boys improve their critical standing further. Reaching #36 in the US and #20 in the UK, the album still failed to go gold. At the end of the year which saw their US shows grow consistently in audience size, Rolling Stone named Holland as one of their picks for "album of the year", and The Beach Boys moved closer to widespread public re-acceptance.